The emerging film composer : an introduction to ... Read More
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- 1 of 2 copies available at Berklee College of Music.
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0 current holds with 2 total copies.
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| Location | Call Number / Copy Notes | Barcode | Shelving Location | Holdable? | Status | Due Date |
|---|---|---|---|---|---|---|
| Stan Getz Library | MT64.M65 B455 2006 | 37684001080787 | Getz Stacks | Copy hold / Volume hold | Checked out | 04/16/2024 |
| Valencia Main Library | MT64 .M65 B455 2006x | 37684001069884 | Valencia Stacks | Copy hold / Volume hold | Available | - |
Record details
- ISBN: 0615136230
- ISBN: 9780615136233
- Physical Description: xix, 158 p. : ill., ports. ; 23 cm.
- Publisher: United States : Richard Bellis, c2006.
Content descriptions
| Formatted Contents Note: | Introduction -- Preparation -- Pricing your work ... Read More |
| Summary, etc.: | Why do filmmakers like the music they like? What ... Read More |
Search for related items by subject
| Subject: | Motion picture music > Instruction and study Composition (Music) Film composers Motion picture industry > Vocational guidance. |
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| 245 | 1 | 4. | ‡aThe emerging film composer : ‡ban introduction to the people, problems and psychology of the film music business / ‡cRichard Bellis. |
| 260 | . | ‡aUnited States : ‡bRichard Bellis, ‡cc2006. | |
| 300 | . | ‡axix, 158 p. : ‡bill., ports. ; ‡c23 cm. | |
| 505 | 0 | . | ‡aIntroduction -- Preparation -- Pricing your work -- Getting work -- Spotting -- The writing process -- Recording and podium procedure -- Delivery and the dub -- Random thoughts -- Stories -- Appendix. |
| 520 | . | ‡aWhy do filmmakers like the music they like? What makes them comfortable or uncomfortable when it comes time to put music in their film? How can you make them want to like your cues? How do you "court the muse" on a deadline? How much are you worth, and can you live on that? How can you increase your efficiency in the studio or at your writing desk? How can you get your next job while working on the current one? This book speaks to these and similar issue. | |
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