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Kohn on music licensing / Al Kohn, Bob Kohn.

Kohn, Al(Author).
Kohn, Bob(Added Author).

Available copies

  • 1 of 1 copy available at Berklee College of Music.

Current holds

0 current holds with 1 total copy.

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Location Call Number / Copy Notes Barcode Shelving Location Holdable? Status Due Date
Valencia Main Library KF3035.K64 2010 37684001068862 Valencia Stacks Copy hold / Volume hold Available -

Record details

  • ISBN: 9780735590908
  • ISBN: 0735590907
  • Physical Description: lxxii, 1731 p. : forms ; 24 cm. + 1 CD-ROM (4 3/4 ... Read More
  • Edition: 4th ed.
  • Publisher: Austin : Wolters Kluwer Law & Business ; c2010.

Content descriptions

General Note:
Accompanying CD-ROM available for use at the iMac by the Stan Getz Library reference desk. Please ... Read More
Bibliography, etc. Note:
Includes biographical references and index.
Formatted Contents Note:
Introduction : the music business, its past and ... Read More
Subject: Copyright > Music > United States
Copyright licenses > United States
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008100105s2010 txuk 001 0 eng d
020 . ‡a9780735590908
020 . ‡a0735590907
035 . ‡an495850603
035 . ‡a(OCoLC)495850603
040 . ‡aAKL ‡cAKL ‡dUCO ‡dSLA ‡dBKC
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049 . ‡aBKCA ‡bmain
05004. ‡aKF3035 ‡b.K64 2010
090 . ‡aKF3035 ‡b.K64 2010
1001 . ‡aKohn, Al ‡0(berklee)44718
24510. ‡aKohn on music licensing / ‡cAl Kohn, Bob Kohn.
250 . ‡a4th ed.
260 . ‡aAustin : ‡bWolters Kluwer Law & Business ; ‡aNew York, NY : ‡bAspen Publishers, ‡cc2010.
300 . ‡alxxii, 1731 p. : ‡bforms ; ‡c24 cm. + ‡e1 CD-ROM (4 3/4 in.)
500 . ‡aAccompanying CD-ROM available for use at the iMac by the Stan Getz Library reference desk. Please ask a reference librarian for assistance.
504 . ‡aIncludes biographical references and index.
50500. ‡tIntroduction : the music business, its past and future -- ‡tThe art of music publishing -- ‡tSongwriter agreements -- ‡tCo-publishing and administration agreements -- ‡tInternational subpublishing -- ‡tThe split copyright syndrome -- ‡tThe language of music licensing -- ‡tFormalities of music licensing -- ‡tDuration of copyright, assignments of copyright, and licenses -- ‡tBasic considerations in music licensing -- ‡tThe art of granting and clearing music licenses -- ‡tLicensing music in print and digital print (print licenses) -- ‡tLicensing music in sound recordings (mechanical licenses) -- ‡tLicensing music in background music services, digital jukeboxes, and other commercial reproductions (electrical transcription licenses) -- ‡tLicensing music in audiovisual works (synchronization licenses) -- ‡tThe user-generated content phenomenon -- ‡tOld licenses, new uses -- ‡tLicensing music in live and recorded public performances (public performance licenses) -- ‡tThe grand rights controversy -- ‡tLicensing music in television, radio, print, and internet advertising -- ‡tLicenses for music boxes, consumer musical products, and other merchandise -- ‡tLicensing music in videogames, other new media, multimedia devices, and online versions -- ‡tLicensing of sound recordings (master use licenses, digital downloading and digital audio transmissions) -- ‡tThe digital sampling controversy -- ‡tThe fair use controversy -- ‡tTypical license fees.
650 0. ‡aCopyright ‡xMusic ‡zUnited States ‡0(berklee)607177
650 0. ‡aCopyright licenses ‡zUnited States ‡0(berklee)48930
7001 . ‡aKohn, Bob ‡0(berklee)44719
994 . ‡aC0 ‡bBKC
919 2. ‡c85564
903 . ‡a24512
901 . ‡a67198 ‡bISxN ‡c67198 ‡tbiblio

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