The art of acting / Stella Adler ; compiled and ... Read More
Book
Add to basket
Permalink
Disable Highlighting
Available copies
- 1 of 1 copy available at Berklee College of Music.
Current holds
0 current holds with 1 total copy.
Show Only Available Copies
| Location | Call Number / Copy Notes | Barcode | Shelving Location | Holdable? | Status | Due Date |
|---|---|---|---|---|---|---|
| Stan Getz Library | PN2061 .A35 2000 | 37684001061366 | Getz Stacks | Copy hold / Volume hold | Available | - |
Record details
- ISBN: 1557833737
- ISBN: 9781557833730
- Physical Description: 271 p., [8] p. of plates : ill. ; 24 cm.
- Publisher: New York : Applause Books ; c2000.
Content descriptions
| Formatted Contents Note: | Preface by Marlon Brando -- First steps on stage ... Read More |
| Summary, etc.: | Stella Adler is arguably the most important ... Read More |
Search for related items by subject
| Subject: | Acting Acting > Study and teaching |
| LDR | 03635nam a2200481 a 4500 | ||
|---|---|---|---|
| 001 | 67436 | ||
| 003 | berklee | ||
| 005 | 20100322040246.0 | ||
| 008 | 000912s2000 nyuaf 000 0 eng | ||
| 010 | . | ‡a 00108803 | |
| 019 | . | ‡a45545898 ‡a46383340 | |
| 020 | . | ‡a1557833737 | |
| 020 | . | ‡a9781557833730 | |
| 024 | 3 | . | ‡a9781557833730 |
| 029 | 1 | . | ‡aYDXCP ‡b1690113 |
| 029 | 1 | . | ‡aNZ1 ‡b6072355 |
| 029 | 1 | . | ‡aAU@ ‡b000022295399 |
| 029 | 1 | . | ‡aIG# ‡b9781557833730 |
| 029 | 1 | . | ‡aCDX ‡b2641025 |
| 035 | . | ‡am47844917 | |
| 035 | . | ‡a(OCoLC)47844917 ‡z(OCoLC)45545898 ‡z(OCoLC)46383340 | |
| 040 | . | ‡aDLC ‡cDLC ‡dIQU ‡dSKA ‡dUNA ‡dOCLCQ ‡dXY4 ‡dBAKER ‡dBTCTA ‡dYDXCP ‡dLVB ‡dIG# ‡dCDX ‡dBKC | |
| 042 | . | ‡apcc | |
| 049 | . | ‡aBKCA ‡bmain | |
| 050 | 0 | 0. | ‡aPN2061 ‡b.A34 2000 |
| 082 | 0 | 0. | ‡a792/.028 ‡221 |
| 090 | . | ‡aPN2061 ‡b.A35 2000 | |
| 100 | 1 | . | ‡aAdler, Stella ‡0(berklee)478897 |
| 245 | 1 | 4. | ‡aThe art of acting / ‡cStella Adler ; compiled and edited by Howard Kissel. |
| 246 | 3 | 0. | ‡aActing |
| 246 | 3 | . | ‡aStella Adle |
| 260 | . | ‡aNew York : ‡bApplause Books ; ‡aTonbridge, Kent, U.K. : ‡bCombined Book Services ; ‡aMilwaukee, WI : ‡bSales & distribution, Hal Leonard Corp., ‡cc2000. | |
| 300 | . | ‡a271 p., [8] p. of plates : ‡bill. ; ‡c24 cm. | |
| 505 | 0 | 0. | ‡tPreface by Marlon Brando -- ‡tFirst steps on stage -- ‡tThe world of the stage isn't your world -- ‡tActing is doing -- ‡tThe actor needs to be strong -- ‡tDeveloping the imagination -- ‡tMaking the world of the play your own -- ‡tGetting hold of acting's controls -- ‡tLearning actions -- ‡tMaking actions doable -- ‡tBuilding a vocabulary of actions -- ‡tInstant and inner justifications -- ‡tComplicating actions -- ‡tGiving actions size -- ‡tUnderstanding the text -- ‡tCharacter elements -- ‡tDressing the part -- ‡tLearning a character's rhythm -- ‡tActors are aristocrats -- ‡tMaking the costume real -- ‡tThe actor is a warrior -- ‡tStanislavski and the new realistic drama -- ‡tPortraying class on stage -- ‡tAfterword. |
| 520 | . | ‡aStella Adler is arguably the most important teacher of acting in American history. Over her long career, both in New York and Hollywood, she offered her vast acting knowledge to generations of actors, including Marlon Brando, Warren Beatty, and Robert De Niro. The great voice finally ended in the early Nineties, but her decades of experience and teaching have been brilliantly encapsulated by Howard Kissel in the lessons in this book. The groundbreaking theories of the great acting teacher who influenced such outstanding actors as Marlon Brando, Robert DeNiro & Warren Beatty are now made available for a wide audience. This book is compiled from her voluminous class notes as well as audio & videotape of her teaching & is destined to become a classic in the fields of acting & theatre. Drawing on an archive of notebooks, transcriptions, and audiotapes of Adler's work, Kissel (cultural critic with the New York Daily News) presents the lessons and insights she brought to the craft of acting. Adler's classroom lectures are presented, and their significance is discussed. She addresses the discipline of the actor's body, mind, and imagination. She looks at the techniques for creating believable characters and bringing authenticity to the performance, and the importance of understanding time, setting and style. | |
| 650 | 0. | ‡0(berklee)11635 ‡aActing | |
| 650 | 0. | ‡aActing ‡xStudy and teaching ‡0(berklee)218752 | |
| 700 | 1 | . | ‡aKissel, Howard ‡4edt ‡0(berklee)478899 |
| 938 | . | ‡aBaker & Taylor ‡bBKTY ‡c25.95 ‡d19.46 ‡i1557833737 ‡n0003538337 ‡sactive | |
| 938 | . | ‡aBaker and Taylor ‡bBTCP ‡nbl 00017411 | |
| 938 | . | ‡aYBP Library Services ‡bYANK ‡n1690113 | |
| 938 | . | ‡aIngram ‡bINGR ‡n9781557833730 | |
| 938 | . | ‡aCoutts Information Services ‡bCOUT ‡n2641025 | |
| 994 | . | ‡aC0 ‡bBKC | |
| 919 | 2. | ‡c85822 | |
| 903 | . | ‡a24661 | |
| 901 | . | ‡a67436 ‡bISxN ‡c67436 ‡tbiblio | |