MAX/MSP/JITTER audio & video design [videorecording] / presented by Seiya Matsumiya...[et al].
- 1 of 1 copy available at Berklee College of Music.
0 current holds with 1 total copy.
|Location||Call Number / Copy Notes||Barcode||Shelving Location||Holdable?||Status||Due Date|
|Berklee Archives||DVD 4463||37684001057533||Annex -- By Appointment||Not holdable||Available||-|
- Physical Description: 1 videodisc : sd., col. ; 4 3/4 in.
- Publisher: [Boston, Mass.] : Berklee College of Music, 
|General Note:|| Title from container.
|Participant or Performer Note:|| Seiya Matsumiya, Matt Centrella, Danny Piccione, Jinku Kim, Adam Schecter, presenters
|Date/Time and Place of an Event Note:|| Recorded at the Media Lab, Learning Center at Berklee College of Music, Boston, Mass., on Tues., Apr. 13, 2010 at 6:00 p.m.
|Summary, etc.:|| Berklee Electronic Production and Design majors Seiya Matsumiya, Adam Schecter, Matt Centrella, Danny Piccione and Jinku Kim present some ideas for creating patches in MAX/MSP/JITTER. Seiya creates a random note generator and then a ring modulator which he uses to effect his voice run through a microphone. Adam shows a patch containing a step-sequencer which was uses to send MIDI into Reason to control a Subtractor synth. Matt talks about various methods of playing back audio samples and manipulating the playback through reverse, speed and pitch shifting. Danny uses his APC-40 and iPad to control Max objects inside of the sequencing program Ableton Live using the recently released Max for Live add-on; creating drum beats and melodic loops on the fly. Finally, Jinku gives a live performance of his piece "Sounds for Mondrian" where he uses two laptops; one running Ableton Live to play back audio and another running Jitter connected to a projector with the audio and video synced together with the entire performance able to be controlled live via a Monome midi controller.
|System Details Note:|| DVD.
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