Music and dictatorship in Europe and Latin America /
In this book, edited by Roberto Illiano and Massimiliano Sala, twenty-four scholars investigate the relationship between music and dictatorship in twentieth-century Europe and Latin America. The music is explored as a political phenomenon in fifteen nations under totalitarian regimes: Argentina, Bra...
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| Other Authors: | , |
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| Format: | Book |
| Language: | Multiple languages English French Italian German Spanish Portuguese |
| Published: |
Turnhout :
Brepols,
2009.
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| Series: | Speculum musicae ;
v. 14. |
| Subjects: |
| Summary: | In this book, edited by Roberto Illiano and Massimiliano Sala, twenty-four scholars investigate the relationship between music and dictatorship in twentieth-century Europe and Latin America. The music is explored as a political phenomenon in fifteen nations under totalitarian regimes: Argentina, Brazil, Chile, Cuba, France, Greece, Germany, Italy, Mexico, Poland, Portugal, Russia, Serbia, Spain, and Hungary. Historical and aesthetical articles face both individual people (for instance, Chavez, Ligeti, Massarani or Villa-Lobos) as well whole generations of composers operating under dictatorship (for example, in the communist regimes of Poland and Serbia; in France under Vichy; in Franco's Spain, Salazar's Portugal, or in Revolutionary Cuba). |
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| Physical Description: | xiv, 767 pages : illustrations, music ; 27 cm. |
| Bibliography: | Includes bibliographical references and index. |
| ISBN: | 9782503527796 2503527795 |
| Terms Governing Use and Reproduction Note: | Articles in English, French, German, Italian, or Portuguese. |
| FOLIO link: | View instance in FOLIO |