|
|
|
|
| LEADER |
00000nam a22000004a 4500 |
| 001 |
be66520 |
| 003 |
BERKLEE |
| 005 |
20240618145227.0 |
| 008 |
081120s2009 enkak b 001 0 eng |
| 010 |
|
|
|a 2008050805
|
| 020 |
|
|
|a 9780754664727
|q (hardcover : alk. paper)
|
| 020 |
|
|
|a 0754664724
|q (hardcover : alk. paper)
|
| 020 |
|
|
|a 9780754694649
|q (ebk.)
|
| 020 |
|
|
|a 075469464X
|q (ebk.)
|
| 024 |
3 |
|
|a 9780754664727
|
| 029 |
1 |
|
|a BWK
|b L8820782
|
| 035 |
|
|
|a (berklee)66520
|
| 035 |
|
|
|a 83885
|
| 035 |
|
|
|a n276515015
|
| 035 |
|
|
|a (OCoLC)276515015
|
| 040 |
|
|
|a DLC
|c DLC
|d BWKUK
|d BWK
|d BKC
|d UtOrBLW
|
| 043 |
|
|
|a e-fr---
|
| 049 |
|
|
|a BKCA
|b main
|
| 050 |
0 |
0 |
|a ML3917.F8
|b L43 2009
|
| 082 |
0 |
0 |
|a 781.64/15920944
|2 22
|
| 082 |
0 |
4 |
|a 780.1
|
| 100 |
1 |
|
|a Lebrun, Barbara.
|0 n 2008078410
|
| 245 |
1 |
0 |
|a Protest music in France :
|b production, identity and audiences /
|c Barbara Lebrun.
|
| 264 |
|
1 |
|a Farnham, England ;
|a Burlington, VT :
|b Ashgate,
|c [2009]
|
| 264 |
|
4 |
|c ©2009
|
| 300 |
|
|
|a 192 pages :
|b illustrations ;
|c 25 cm.
|
| 336 |
|
|
|a text
|b txt
|2 rdacontent
|
| 337 |
|
|
|a unmediated
|b n
|2 rdamedia
|
| 338 |
|
|
|a volume
|b nc
|2 rdacarrier
|
| 340 |
|
|
|p illustration
|p form
|2 rdaill
|
| 490 |
1 |
|
|a Ashgate popular and folk music series
|
| 504 |
|
|
|a Includes bibliographical references (pages [165]-179) and index.
|
| 504 |
|
|
|a Includes discography.
|
| 505 |
0 |
0 |
|g Introduction :
|t Protest and authenticity in contemporary French music culture --
|g Part I.
|t Serious busines. The production of protest in the French music industry.
|g Ch. 1.
|t Independent labels, music policy, and rock alternatif --
|g Part II.
|t Protest identities, nostalgia, multiculturalism and success abroad.
|g Ch. 2.
|t Authenticity and nostalgia in chanson néo-réaliste ;
|g Ch. 3.
|t Hybridity, arabness and cultural legitimacy in rock métis ;
|g Ch. 4. Manu Chao, anti-globalization protest and international success --
|g Part III.
|t Participation, audiences and festivals.
|g Ch. 5.
|t Audience reception and 'alternative' identities in contemporary France ;
|g Ch. 6.
|t Music festivals as sites for 'alternative' identities --
|g Conclusion.
|
| 650 |
|
0 |
|a Popular music
|x Political aspects
|z France.
|0 sh 85088865
|
| 650 |
|
0 |
|a Popular music
|x Social aspects
|z France.
|0 sh 85088865
|
| 650 |
|
0 |
|a Protest songs
|z France
|x History and criticism.
|0 sh 85107711
|
| 830 |
|
0 |
|a Ashgate popular and folk music series.
|0 n 2001065264
|
| 852 |
0 |
|
|c Getz Stacks
|g books
|j ML3917.F8 L43 2009
|p 37684001060261
|s Available
|
| 901 |
|
|
|a 66520
|b ISxN
|c 66520
|t biblio
|
| 903 |
|
|
|a 24124
|
| 919 |
|
2 |
|c 83885
|
| 938 |
|
|
|a Blackwell Book Service UK
|b BBUK
|n L8820782
|c 50.00
|
| 947 |
|
|
|a RDA ENRICHED
|
| 994 |
|
|
|a C0
|b BKC
|
| 997 |
|
|
|a 83885
|
| 999 |
f |
f |
|i c562f2c4-d88f-5afb-a970-bc4ad408b1c0
|s cc2592de-7261-5ddb-bdee-58c6dc230d05
|t 0
|
| 952 |
f |
f |
|p Can circulate
|a Berklee
|b Boston Campus
|c Stan Getz Library
|d Getz Stacks
|t 0
|e ML3917.F8 L43 2009
|h Library of Congress classification
|i Book
|m 37684001060261
|
