Reframing Bollywood [electronic resource] : theories of popular Hindi cinema / Ajay Gehlawat.
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http://catalog.berklee.edu:2048/login?url=http://www.netlibrary.com/urlapi.asp?action=summary&v=1&bookid=340336 - NetLibrary
Record details
- ISBN: 9788132105947 (electronic bk.)
- ISBN: 813210594X (electronic bk.)
- Physical Description: 1 online resource (xxiv, 165 p.)
- Publisher: New Delhi, India ; SAGE Publications, 2010.
Content descriptions
| General Note: | Available through EBSCO |
| Bibliography, etc. Note: | Includes bibliographical references, filmography and index. |
| Formatted Contents Note: | Introduction : reframing Bollywood -- Bollywood and its implied viewers -- the Bollywood song and dance, or making a culinary theatre from dung-cakes and dust : can the Bollywood film speak to the subaltern? -- Ho naa ho : the emergence of a homosexual subtext in Bollywood -- Usage problem : simulation and hyper-assimilation in the (crossover) Bollywood film -- Conclusion : travelling Bollywood. |
| Summary, etc.: | This book combines multiple theoretical approaches to provide a fresh perspective on Bollywood and challenges the homogenizing tendencies in much of the ongoing scholarship in the field. It covers five areas of controversial theorization: the religious frame, the musical frame, the subaltern frame, the (hetero)sexual frame and the 'crossover' frame. By deconstructing each of these hegemonic paradigms, it reshapes the understanding of a Bollywood film and restructures its relationships with multiple disciplines including film and theatre studies, postcolonial studies, South Asian studies, queer |
| Source of Description Note: | Description based on print version record. |
Search for related items by subject
| Subject: | Motion pictures > India Motion pictures > Social aspects > India |
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| 100 | 1 | . | ‡aGehlawat, Ajay. ‡0(berklee)562315 |
| 245 | 1 | 0. | ‡aReframing Bollywood ‡h[electronic resource] : ‡btheories of popular Hindi cinema / ‡cAjay Gehlawat. |
| 260 | . | ‡aNew Delhi, India ; ‡aThousand Oaks, Calif. : ‡bSAGE Publications, ‡c2010. | |
| 300 | . | ‡a1 online resource (xxiv, 165 p.) | |
| 500 | . | ‡aAvailable through EBSCO | |
| 504 | . | ‡aIncludes bibliographical references, filmography and index. | |
| 505 | 0 | . | ‡aIntroduction : reframing Bollywood -- Bollywood and its implied viewers -- the Bollywood song and dance, or making a culinary theatre from dung-cakes and dust : can the Bollywood film speak to the subaltern? -- Ho naa ho : the emergence of a homosexual subtext in Bollywood -- Usage problem : simulation and hyper-assimilation in the (crossover) Bollywood film -- Conclusion : travelling Bollywood. |
| 520 | . | ‡aThis book combines multiple theoretical approaches to provide a fresh perspective on Bollywood and challenges the homogenizing tendencies in much of the ongoing scholarship in the field. It covers five areas of controversial theorization: the religious frame, the musical frame, the subaltern frame, the (hetero)sexual frame and the 'crossover' frame. By deconstructing each of these hegemonic paradigms, it reshapes the understanding of a Bollywood film and restructures its relationships with multiple disciplines including film and theatre studies, postcolonial studies, South Asian studies, queer | |
| 588 | . | ‡aDescription based on print version record. | |
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| 650 | 0. | ‡aMotion pictures ‡xSocial aspects ‡zIndia ‡0(berklee)562303 | |
| 776 | 0 | 8. | ‡iPrint version: ‡aGehlawat, Ajay. ‡tReframing Bollywood. ‡dNew Delhi, India ; Thousand Oaks, Calif. : SAGE Publications, 2010 ‡z9788132104728 ‡w(DLC) 2010014828 ‡w(OCoLC)606054883 |
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