33 revolutions per minute : a history of protest ... Read More
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- 1 of 1 copy available at Berklee College of Music.
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| Location | Call Number / Copy Notes | Barcode | Shelving Location | Holdable? | Status | Due Date |
|---|---|---|---|---|---|---|
| Stan Getz Library | ML3780 .L96 2011 | 37684001066168 | Getz Stacks | Copy hold / Volume hold | Available | - |
Record details
- ISBN: 0061670154
- ISBN: 9780061670152 (pbk.)
- Physical Description: xvi, 660 p., [8] p. of plates : ill. ; 23 cm.
- Edition: 1st ed.
- Publisher: New York : Ecco, c2011.
Content descriptions
| Bibliography, etc. Note: | Includes bibliographical references (p. 573-636) ... Read More |
| Formatted Contents Note: | 1939-1964. Billie Holiday, "Strange fruit" ; Woody ... Read More |
| Summary, etc.: | When pop music meets politics, the results are ... Read More |
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| 100 | 1 | . | ‡aLynskey, Dorian ‡0(berklee)584067 |
| 245 | 1 | 0. | ‡a33 revolutions per minute : ‡ba history of protest songs, from Billie Holiday to Green Day / ‡cDorian Lynskey. |
| 246 | 3 | . | ‡aThirty-three revolutions per minute |
| 250 | . | ‡a1st ed. | |
| 260 | . | ‡aNew York : ‡bEcco, ‡cc2011. | |
| 300 | . | ‡axvi, 660 p., [8] p. of plates : ‡bill. ; ‡c23 cm. | |
| 504 | . | ‡aIncludes bibliographical references (p. 573-636) and index. | |
| 505 | 0 | 0. | ‡g1939-1964. ‡tBillie Holiday, "Strange fruit" ; ‡tWoody Guthrie, "This land is your land" ; ‡tZilphia Horton, Frank Hamilton, Guy Carawan, and Pete Seeger, "We shall overcome" ; ‡tBob Dylan, "Masters of war" ; ‡tNina Simone, "Mississippi Goddam" -- ‡g1965-1973. ‡tCountry Joe and the Fish, "I-feel-like-I'm-fixin'-to-die-rag" ; ‡tJames Brown, "Say it loud, I'm Black and I'm proud" ; ‡tPlastic Ono Band, "Give peace a chance" ; ‡tEdwin Starr, "War" ; ‡tCrosby, Stills, Nash, and Young, "Ohio" ; ‡tGil Scott-Heron, "The revolution will not be televised" ; ‡tStevie Wonder, "Living for the city" -- ‡g1973-1977 (Chile, Nigeria, Jamaica). ‡tVictor Jara, "Manifiesto" ; ‡tFela Kuti and Afrika 70, "Zombie" ; ‡tMax Romeo and the Upsetters, "War ina Babylon" -- ‡g1977-1987. ‡tThe Clash, "White riot" ; ‡tCarl Bean, "I was born this way" ; ‡tLinton Kwesi Johnson, "Sonny's lettah (Anti-Sus poem)" ; ‡tThe Dead Kennedys, "Holiday in Cambodia" ; ‡tGrandmaster Flash and the Furious Five feat. Melle Mel and Duke Bootee, "The message" ; ‡tCrass, "How does it feel?" ; ‡tFrankie Goes to Hollywood, "Two tribes" ; ‡tU2, "Pride (In the name of love)" ; ‡tThe Special AKA, "Nelson Mandela" ; ‡tBilly Bragg, "Between the wars" ; ‡tR.E.M., "Exhuming McCarthy" -- ‡g1989-2008. ‡tPublic Enemy, "Fight the power" ; ‡tHuggy Bear, "Her jazz" ; ‡tThe Prodigy feat. Pop Will Eat Itself, "Their law" ; ‡tManic Street Preachers, "Of walking abortion" ; ‡tRage Against the Machine, "Sleep now in the fire" ; ‡tSteve Earle, "John Walker's blues" ; ‡tGreen Day, "American Idiot". |
| 520 | . | ‡aWhen pop music meets politics, the results are often thrilling, sometimes life-changing, and never simple. It represents pop music that is most charged and relevant, providing the soundtrack and informing social change since the 1930s. This music captures the attention and passions of listeners, forces its way into the news, and makes its presence felt from the streets to the corridors of power. This book is a history of protest music embodied in 33 songs since the 1930s. -- from back cover | |
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| 650 | 0. | ‡aPopular music ‡y21st century ‡xSocial aspects. ‡0(berklee)584073 | |
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