Look, I made a hat : collected lyrics (1981-2011) ... Read More
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- 1 of 1 copy available at Berklee College of Music.
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| Location | Call Number / Copy Notes | Barcode | Shelving Location | Holdable? | Status | Due Date |
|---|---|---|---|---|---|---|
| Library Reserve Desk | ML54.6.S65 L66 2011 | 37684001066323 | Getz Reserve | Not holdable | Available | - |
Record details
- ISBN: 9780307593412 (hbk.)
- ISBN: 030759341X (hbk.)
- Physical Description: xxiii, 453 p. : ill. ; 29 cm.
- Edition: 1st ed.
- Publisher: New York : Alfred A. Knopf, 2011.
Content descriptions
| General Note: | Faculty reserve. Material for SW-345 and SW-445 (Wartofsky and Reiffel). |
| Bibliography, etc. Note: | Includes discography (p. 439-442) and indexes. |
| Formatted Contents Note: | Sunday in the park with George -- Into the woods ... Read More |
| Summary, etc.: | Picking up where he left off in "Finishing the ... Read More |
Search for related items by subject
| Subject: | Sondheim, Stephen > Criticism and interpretation. Musicals > United States > Analysis, appreciation. Composers > United States > Biography Musicals > Excerpts > Librettos. Songs > Texts |
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| 240 | 1 | 0. | ‡aSongs. ‡sTexts. ‡kSelections |
| 245 | 1 | 0. | ‡aLook, I made a hat : ‡bcollected lyrics (1981-2011) with attendant comments, amplifications, dogmas, harangues, digressions, anecdotes and miscellany / ‡cStephen Sondheim. |
| 250 | . | ‡a1st ed. | |
| 260 | . | ‡aNew York : ‡bAlfred A. Knopf, ‡c2011. | |
| 300 | . | ‡axxiii, 453 p. : ‡bill. ; ‡c29 cm. | |
| 500 | . | ‡aFaculty reserve. | |
| 500 | . | ‡aMaterial for SW-345 and SW-445 (Wartofsky and Reiffel). | |
| 504 | . | ‡aIncludes discography (p. 439-442) and indexes. | |
| 505 | 0 | 0. | ‡tSunday in the park with George -- ‡tInto the woods -- ‡tAssassins -- ‡tPassion -- ‡tWise guys/Bounce/Road show : a saga in four acts -- ‡tOther musicals -- ‡tMovies -- ‡tTelevision -- ‡tCommissions, occasions, beginnings. |
| 520 | . | ‡aPicking up where he left off in "Finishing the Hat", Sondheim richly annotates his lyrics with personal and theatre history, discussions of his collaborations, and exacting, charming dissections of his work -- both the successes and the failures. | |
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