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Settling the score : music and the classical Hollywood film / Kathryn Kalinak.

Electronic resources

Available copies

  • 2 of 2 copies available at Berklee College of Music.

Current holds

0 current holds with 2 total copies.

Location Call Number / Copy Notes Barcode Shelving Location Holdable? Status Due Date
Main Library ML2075 .K35 1992 37684001068995 Library Stacks Copy hold / Volume hold Available -
Valencia Main Library ML2075.K35 1992 37684001072593 Valencia Stacks Copy hold / Volume hold Available -

Record details

  • ISBN: 0299133605 (cloth)
  • ISBN: 9780299133603 (cloth)
  • ISBN: 0299133648 (paper)
  • ISBN: 9780299133641 (paper)
  • Physical Description: xvii, 248 p. : ill. ; 24 cm.
  • Publisher: Madison : University of Wisconsin Press, c1992.

Content descriptions

Bibliography, etc. Note:
Includes bibliographical references (p. 233-239) and index.
Formatted Contents Note:
The language of music: a brief analysis of Vertigo -- A theory of film music -- The silent film score: a structural model -- The classical Hollywood film score: Captain Blood: a working model -- "Every character should have a theme": The informer: Max Steiner and the classical film score -- The "hysterical cult of the director": The magnificant Ambersons: music and theme -- "Not exactly classical, but sweet": Laura: new directions -- John Williams and "The empire" strike back: the eighties and beyond: classical meets contemporary.
Subject: Motion picture music > United States > History and criticism.

Additional Resources