Settling the score : music and the classical ... Read More
Electronic resources
- http://bvbr.bib-bvb.de:8991/F?func=service&doc%5Flibrary=BVB01&doc%5Fnumber=005378956&line%5Fnumber=0001&func%5Fcode=DB%5FRECORDS&service%5Ftype=MEDIA - Inhaltsverzeichnis
- Inhaltsverzeichnis - Inhaltsverzeichnis
Available copies
- 2 of 2 copies available at Berklee College of Music.
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0 current holds with 2 total copies.
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Location | Call Number / Copy Notes | Barcode | Shelving Location | Holdable? | Status | Due Date |
---|---|---|---|---|---|---|
Stan Getz Library | ML2075 .K35 1992 | 37684001068995 | Getz Stacks | Copy hold / Volume hold | Available | - |
Valencia Main Library | ML2075.K35 1992 | 37684001072593 | Valencia Stacks | Copy hold / Volume hold | Available | - |
Record details
- ISBN: 0299133605 (cloth)
- ISBN: 9780299133603 (cloth)
- ISBN: 0299133648 (paper)
- ISBN: 9780299133641 (paper)
- Physical Description: xvii, 248 p. : ill. ; 24 cm.
- Publisher: Madison : University of Wisconsin Press, c1992.
Content descriptions
Bibliography, etc. Note: | Includes bibliographical references (p. 233-239) ... Read More |
Formatted Contents Note: | The language of music: a brief analysis of Vertigo ... Read More |
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Subject: | Motion picture music > United States > History and criticism. |
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100 | 1 | . | ‡aKalinak, Kathryn Marie, ‡d1952- ‡0(berklee)481638 |
245 | 1 | 0. | ‡aSettling the score : ‡bmusic and the classical Hollywood film / ‡cKathryn Kalinak. |
260 | . | ‡aMadison : ‡bUniversity of Wisconsin Press, ‡cc1992. | |
300 | . | ‡axvii, 248 p. : ‡bill. ; ‡c24 cm. | |
490 | 1 | . | ‡aWisconsin studies in film |
504 | . | ‡aIncludes bibliographical references (p. 233-239) and index. | |
505 | 0 | 0. | ‡tThe language of music: a brief analysis of Vertigo -- ‡tA theory of film music -- ‡tThe silent film score: a structural model -- ‡tThe classical Hollywood film score: Captain Blood: a working model -- ‡t"Every character should have a theme": The informer: Max Steiner and the classical film score -- ‡tThe "hysterical cult of the director": The magnificant Ambersons: music and theme -- ‡t"Not exactly classical, but sweet": Laura: new directions -- ‡tJohn Williams and "The empire" strike back: the eighties and beyond: classical meets contemporary. |
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