Rock music / edited by Mark Spicer.
Available copies
- 1 of 1 copy available at Berklee College of Music.
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0 current holds with 1 total copy.
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Location | Call Number / Copy Notes | Barcode | Shelving Location | Holdable? | Status | Due Date |
---|---|---|---|---|---|---|
Stan Getz Library | ML3534 .R63 2011 | 37684001070204 | Getz Stacks | Copy hold / Volume hold | Available | - |
Record details
- ISBN: 9780754629566 (hbk.)
- ISBN: 0754629562 (hbk.)
- Physical Description: xxix, 474 p. : ill., music ; 25 cm.
- Publisher: Farnham ; Ashgate, 2011.
Content descriptions
Bibliography, etc. Note: | Includes bibliographical references and index. |
Formatted Contents Note: | Prolegomena to any aesthetics of rock music / ... Read More |
Summary, etc.: | "This volume gathers together twenty articles from ... Read More |
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Subject: | Rock music > History and criticism. Rock musicians |
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245 | 0 | 0. | ‡aRock music / ‡cedited by Mark Spicer. |
260 | . | ‡aFarnham ; ‡aBurlington, VT : ‡bAshgate, ‡c2011. | |
300 | . | ‡axxix, 474 p. : ‡bill., music ; ‡c25 cm. | |
490 | 1 | . | ‡aThe library of essays on popular music |
504 | . | ‡aIncludes bibliographical references and index. | |
505 | 0 | 0. | ‡tProlegomena to any aesthetics of rock music / ‡rBruce Baugh -- ‡tFans and critics : Greil Marcus's Mystery train as rock 'n' roll history / ‡rMark Mazullo -- ‡tSynergies and reciprocities : the dynamics of musical and professional interaction between the Beatles and Bob Dylan / ‡rIan Inglis -- ‡tThe hippie aesthetic : cultural positioning and musical ambition in early progressive rock / ‡rJohn Covach -- ‡tConsuming nature : the Grateful Dead's performance of an anticommercial counterculture / ‡rNadya Zimmerman -- ‡tThe future is now--and then : sonic historiography in post-1960s rock / ‡rKevin Holm-Hudson -- ‡tIndie : the institutional politics and aesthetics of a popular music genre / ‡rDavid Hesmondhalgh -- ‡tWhen women play the bass : instrument specialization and gender interpretation in alternative rock music / ‡rMary Ann Clawson -- ‡tAll singers are dicks / ‡rDeena Weinstein -- ‡tIntimacy and distance : on Stipe's queerness / ‡rFred Maus -- ‡tThe melodic-harmonic "divorce" in rock / ‡rDavid Temperley -- ‡tTriadic modal and pentatonic patterns in rock music / ‡rNicole Biamonte -- ‡tTransformation in rock harmony : an explanatory strategy / ‡rChristopher Doll -- ‡tThe persona-environment relation in recorded song / ‡rAllan F. Moore -- ‡t(Ac)cumulative form in pop-rock music / ‡rMark Spicer -- ‡tEvery inch of my love : Led Zeppelin and the problem of cock rock / ‡rSteve Waksman -- ‡tExamining rhythmic and metric practices in Led Zeppelin's musical style / ‡rJohn Brackett -- ‡tBob Dylan and Jimi Hendrix : juxtaposition and transformation "All along the watchtower" / ‡rAlbin J. Zak III -- ‡tThe learned vs. the vernacular in the songs of Billy Joel / ‡rWalter Everett -- ‡tSound, text and identity in Korn's "Hey daddy" / ‡rJonathan Pieslak. |
520 | . | ‡a"This volume gathers together twenty articles from among the best scholarly writing on rock music published in academic journals over the past two decades. These diverse essays reflect the wide range of approaches that scholars in various disciplines have applied to the study of rock. These approaches range from those that address mainly the historical, sociological, cultural and technological factors that gave rise to this music, to those that focus primarily on analysis of the music itself. This collection of articles, some of which are now out of print or otherwise difficult to access, provides an overview of the current state of research in the field of rock music, and includes an introduction which contributes to the ongoing debate over the distinction (or lack thereof) between 'rock' and 'pop'"--Publisher's description. | |
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