The politics of post-9/11 music : sound, trauma, ... Read More
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- 1 of 1 copy available at Berklee College of Music.
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0 current holds with 1 total copy.
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Location | Call Number / Copy Notes | Barcode | Shelving Location | Holdable? | Status | Due Date |
---|---|---|---|---|---|---|
Stan Getz Library | ML3918.P67 P65 2011 | 37684001070219 | Getz Stacks | Copy hold / Volume hold | Available | - |
Record details
- ISBN: 9781409427841 (hardcover : alk. paper)
- ISBN: 1409427846 (hardcover : alk. paper)
- ISBN: 9781409427858 (ebook)
- ISBN: 1409427854 (ebook)
- Physical Description: xix, 211 p. : ill. ; 24 cm.
- Publisher: Farnham, Surrey, England ; Ashgate Pub., c2011.
Content descriptions
General Note: | Series information from general editor's preface. |
Bibliography, etc. Note: | Includes bibliographical references and index. |
Formatted Contents Note: | Introduction: Greet death : post-9/11 music and ... Read More |
Summary, etc.: | This collection conveys the passionate response by ... Read More Seeking to extend discussions of 9/11 music beyond ... Read More |
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Summary:
This collection conveys the passionate response by younger scholars to the cultural aspects of a crisis that has increasingly defined the world. Through looking at music beyond the arenas of the big-ticket pop stars, these papers are able to explain many of our more real and complex reactions - reflecting our own disquiet in the face of the ghosts of our own history--Paul Attinello, Newcastle University, UK.
Seeking to extend discussions of 9/11 music beyond the acts typically associated with the September 11th attacks--U2, Toby Keith, The Dixie Chicks, Bruce Springsteen-- this collection interrogates the politics of a variety of post-9/11 music scenes. Contributors add an aural dimension to what has been a visual conceptualization of this important moment in US history by articulating the role that lesser-known contemporary musicians have played--or have refused to play--in constructing a politics of protest in direct response to the trauma inflicted that day. Encouraging new conceptualizations of what constitutes "political music," The Politics of Post 9/11 Music covers topics as diverse as the rise of Internet music distribution, Christian punk rock, rap music in the Obama era, and nostalgia for 1960's political activism --Book Jacket.
Seeking to extend discussions of 9/11 music beyond the acts typically associated with the September 11th attacks--U2, Toby Keith, The Dixie Chicks, Bruce Springsteen-- this collection interrogates the politics of a variety of post-9/11 music scenes. Contributors add an aural dimension to what has been a visual conceptualization of this important moment in US history by articulating the role that lesser-known contemporary musicians have played--or have refused to play--in constructing a politics of protest in direct response to the trauma inflicted that day. Encouraging new conceptualizations of what constitutes "political music," The Politics of Post 9/11 Music covers topics as diverse as the rise of Internet music distribution, Christian punk rock, rap music in the Obama era, and nostalgia for 1960's political activism --Book Jacket.