The Oxford Handbook of Mobile Music Studies, Volume 2 [electronic resource].
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- ISBN: 9780199913664 (electronic bk.)
- ISBN: 0199913668 (electronic bk.)
- Physical Description: 1 online resource (545 pages).
- Publisher: Oxford : Oxford University Press, USA, 2014.
Available through EBSCO
|Formatted Contents Note:||
Cover; The Oxford Handbook of Mobile Music Studies; Copyright; Contents; Preface to Volume 2; Contributors; The Oxford Handbook of Mobile Music Studies; Chapter 1 The Mobilization of Performance: An Introduction to the Aesthetics of Mobile Music; Part IFrequency-Range Aesthetics; Chapter 2 Treble Culture; Chapter 3 Of Sirens Old and New; Part IISounding Transport; Chapter 4 "Cars with the Boom": Music, Automobility, and Hip-hop "Sub" Cultures; Chapter 5 Ding, Ding!: The Commodity Aesthetic of Ice Cream Truck Music.
Chapter 6 There Must Be Some Relation Between Mushrooms and Trains: Alvin Curran's Boletus Edulis-Musica PendolarePart IIIWalking and Bodily Choreography; Chapter 7 Creative Sonification of Mobility and Sonic Interaction with Urban Space: An Ethnographic Case Study of a GPS Sound W; Chapter 8 Soundwalking: Creating Moving Environmental Sound Narratives; Chapter 9 Gestural Choreographies: Embodied Disciplines and Digital Media; Part IVDance and Dance Musics; Chapter 10 (In)Visible Mediators: Urban Mobility, Interface Design, and the Disappearing Computer in Berlin-Based Laptop Perfor.
Chapter 11 Turning the Tables: Digital Technologies and the Remixing of DJ CultureChapter 12 Dancing Silhouettes: The Mobile Freedom of iPod Commercials; Part VPopular Music Production; Chapter 13 Music, Mobility, and Distributed Recording Production in Turkish Political Music; Chapter 14 Rhythms of Relation: Black Popular Music and Mobile Technologies; Part VIGaming Aesthetics; Chapter 15 A History of Handheld and Mobile Video Game Sound; Chapter 16 The Chiptuning of the World: Game Boys, Imagined Travel, and Musical Meaning.
Chapter 17 Rhythm Heaven: Video Games, Idols, and Other Experiences of PlayPart VIIMobile Music Instruments; Chapter 18 The Mobile Phone Orchestra; Chapter 19 Creative Applications of Interactive Mobile Music; Chapter 20 The World Is Your Stage: Making Music on the iPhone; Index.
The two volumes of The Oxford Handbook of Mobile Music Studies consolidate an area of scholarly inquiry that addresses how mechanical, electrical, and digital technologies and their corresponding economies of scale have rendered music and sound increasingly mobile-portable, fungible, and ubiquitous. At once a marketing term, a common mode of everyday-life performance, and an instigator of experimental aesthetics, ""mobile music"" opens up a space for studying the momentous transformations in the production, distribution, consumption, and experience of music and sound that took place between th.
|Source of Description Note:||
Description based on print version record.
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