Bill Evans standards : 10 favorite classics / arranged and produced by Mark Taylor and Jim Roberts.
Music Score
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Available copies
- 0 of 1 copy available at Berklee College of Music.
Current holds
0 current holds with 1 total copy.
| Location | Call Number / Copy Notes | Barcode | Shelving Location | Holdable? | Status | Due Date |
|---|---|---|---|---|---|---|
| Stan Getz Library | MP175.5 .T4 v. 141 | 37684001082829 | Library Stacks | Not holdable | Lost | 09/26/2019 |
Record details
- ISBN: 1423468678
- ISBN: 9781423468677
- Physical Description: 87 p. of music ; 30 cm. + 1 sound disc (ditigal ; 4 3/4 in.)
- Publisher: Milwaukee, WI : Hal Leonard, [2011]
Content descriptions
| General Note: | Lead sheets with chord symbols. "Book and CD for B♭, E♭, C and bass clef instruments"--Cover. "For study, each tune includes a split track with: melody cue with proper style and inflection; professional rhythm tracks; choruses for soloing; removable bass part; removable piano part. For performance, each tune also has: an additional full stereo accompaniment track (no melody); additional choruses for soloing (choose to play more solos instead of playing the melody)"--P. [4] of cover. |
| Formatted Contents Note: | Emily -- In love in vain -- My foolish heart -- My heart stood still -- A sleepin' bee -- Suicide is painless (song from MASH) -- Sweet and lovely -- Tenderly -- Who can I turn to (when nobody needs me) -- Witchcraft. |
| Participant or Performer Note: | Featured players: Graham Breedlove, trumpet ; John Desalme, tenor saxophone ; Tony Nalker, piano ; Jim Roberts, bass ; Todd Harrison, drums. |
| Date/Time and Place of an Event Note: | Recorded at Bias Studios, Springfield, Va. |
Search for related items by subject
| Subject: | Jazz > Lead sheets. Jazz > Instruction and study. Musical instruments > Studies and exercises (Jazz) Recorded accompaniments. |
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Lead sheets with chord symbols. "Book and CD for B♭, E♭, C and bass clef instruments"--Cover. "For study, each tune includes a split track with: melody cue with proper style and inflection; professional rhythm tracks; choruses for soloing; removable bass part; removable piano part. For performance, each tune also has: an additional full stereo accompaniment track (no melody); additional choruses for soloing (choose to play more solos instead of playing the melody)"--P. [4] of cover. Recorded at Bias Studios, Springfield, Va. |