Dangerous rhythm : why movie musicals matter / Richard Barrios.
- 1 of 1 copy available at Berklee College of Music.
0 current holds with 1 total copy.
|Location||Call Number / Copy Notes||Barcode||Shelving Location||Holdable?||Status||Due Date|
|Main Library||PN1995.9.M86 B37 2014||37684001083291||Library Stacks||Copy hold / Volume hold||Available||-|
- ISBN: 0199973849 (hardcover : alk. paper)
- ISBN: 9780199973842 (hardcover : alk. paper)
- Physical Description: xi, 276 pages : illustrations ; 25 cm
- Publisher: Oxford ; Oxford University Press, 
|Bibliography, etc. Note:||
Includes bibliographical references and index.
|Formatted Contents Note:||
All that jazz -- Everything's been done before -- Where do they come from (and where do they go?) -- Seeing's believing -- People from Jolson to Justin in 85 years -- The art of the possible -- Music makes me -- Music makes me -- With plenty of money -- I get the neck of the chicken -- Turn on the heat -- Painting the clouds: Snow White, South Park, and other ways to animate a musical -- Under my skin: musicals musicals and race, musicals and sexuality -- Put 'em in a box -- Epilogue : Dream dancing.
Insightful, witty, as exuberant as its subject matter, this book offers a fresh, revolutionary take on a uniquely American institution: the movie musical. In a book that is at once history, analysis, investigation, and meditation, noted film historian Richard Barrios takes on the entire musical spectrum, from Al Jolson and The Broadway Melody to hip-hop and Les Misérables. Over nine decades, the musical film has been a cornerstone of the entertainment world, yet its existence has been more erratic that any other type of film. Barrios delves deep into the genre, uncovering what makes it a commercially and artistically successful art form that, despite falling in and out of favor with the American public, has a firm and enduring hold on the American cultural imagination.
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|Subject:||Musical films > United States > History and criticism.