The New York Composers' Forum concerts, 1935-1940 ... Read More
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- 1 of 1 copy available at Berklee College of Music.
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| Location | Call Number / Copy Notes | Barcode | Shelving Location | Holdable? | Status | Due Date |
|---|---|---|---|---|---|---|
| Stan Getz Library | ML200.8.N5 G73 2013 | 37684001084163 | Getz Stacks | Copy hold / Volume hold | Available | - |
Record details
- ISBN: 9781580464260 (hardcover : alkaline paper)
- ISBN: 1580464262 (hardcover : alkaline paper)
- Physical Description: xii, 290 pages : music, illustrations ; 24 cm.
- Publisher: Rochester, NY : University of Rochester Press ; Woodbridge, Suffolk : Boydell & Brewer Limited, 2013.
- Copyright: ©2013
Content descriptions
| Bibliography, etc. Note: | Includes bibliographical references (pages ... Read More |
| Formatted Contents Note: | Introduction : the significance of the Composers' ... Read More |
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| Subject: | Composers' Forum (U.S.) Music > New York (State) > New York > 20th century > History and criticism. Concerts > New York (State) > New York. Composers > United States. |
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| 100 | 1 | . | ‡aGraaf, Melissa J. de. ‡4aut |
| 245 | 1 | 4. | ‡aThe New York Composers' Forum concerts, 1935-1940 / ‡cMelissa J. de Graaf. |
| 264 | 1. | ‡aRochester, NY : ‡bUniversity of Rochester Press ; Woodbridge, Suffolk : Boydell & Brewer Limited, ‡c2013. | |
| 264 | 4. | ‡c©2013 | |
| 300 | . | ‡axii, 290 pages : ‡bmusic, illustrations ; ‡c24 cm. | |
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| 490 | 1 | . | ‡aEastman studies in music, ‡x1071-9989 ; ‡vv. 103 |
| 504 | . | ‡aIncludes bibliographical references (pages 259-268) and index. | |
| 505 | 0 | . | ‡aIntroduction : the significance of the Composers' Forum -- The Composers' Forum in context : modernism and diversity in the 1930s -- Reactions to modernist style and ideas -- The gendered reception of modern music -- Orientalism, Jewish music, and the search for spiritual authenticity -- White composers and representations of race : the forum as battleground over issues of authenticity and appropriation -- Creating American identity : folk song and nationalism -- Conclusion : the demise and impact of the Composers' Forum. |
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