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Zen and the art of recording / Mixerman.

Mixerman. (Author).

Available copies

  • 0 of 1 copy available at Berklee College of Music.

Current holds

0 current holds with 1 total copy.

Location Call Number / Copy Notes Barcode Shelving Location Holdable? Status Due Date
Stan Getz Library ML3795.M59 Z4 2014 37684001096060 Library Stacks Copy hold / Volume hold Checked out 12/18/2019

Record details

  • ISBN: 9781480387430
  • ISBN: 1480387436
  • Physical Description: xii, 291 pages ; 20 cm
  • Publisher: Milwaukee, WI : Hal Leonard Books, [ 2014]

Content descriptions

Formatted Contents Note:
Introduction. Perception ; Source, source, source ; Two schools of thought ; The overdub method ; Distortion ; Capturing performances -- The recordist. Recordist roles ; The musician recordist ; The producer recordist -- The recordist's tools. Digital technology ; Evaluating and choosing your tools ; The recording console ; Monitoring ; The converters ; The DAW ; Processing gear ; Effects -- The source and capture. Microphone placement ; Trap drums ; Bass ; Acoustic bass ; Electric guitar ; Acoustic guitar ; Acoustic guitar/ vocal ; Creating guitar textures ; Piano ; Piano/ vocal ; Rhodes, Wurli, Electric pianos ; Organ ; Synths ; Strings ; Horns ; Percussion ; Vocals -- The business of recording. Opportunity knocks ; Practice, practice, practice ; Personal relationships ; Positioning ; It's not about the money, it's about the money ; Home recording facilities.
Subject: Sound recordings > Production and direction > Vocational guidance.
Popular music > Production and direction.
Sound recording industry > Vocational guidance.
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24510. ‡aZen and the art of recording / ‡cMixerman.
264 1. ‡aMilwaukee, WI : ‡bHal Leonard Books, ‡c[ 2014]
300 . ‡axii, 291 pages ; ‡c20 cm
336 . ‡atext ‡btxt ‡2rdacontent
337 . ‡aunmediated ‡bn ‡2rdamedia
338 . ‡avolume ‡bnc ‡2rdacarrier
5050 . ‡aIntroduction. Perception ; Source, source, source ; Two schools of thought ; The overdub method ; Distortion ; Capturing performances -- The recordist. Recordist roles ; The musician recordist ; The producer recordist -- The recordist's tools. Digital technology ; Evaluating and choosing your tools ; The recording console ; Monitoring ; The converters ; The DAW ; Processing gear ; Effects -- The source and capture. Microphone placement ; Trap drums ; Bass ; Acoustic bass ; Electric guitar ; Acoustic guitar ; Acoustic guitar/ vocal ; Creating guitar textures ; Piano ; Piano/ vocal ; Rhodes, Wurli, Electric pianos ; Organ ; Synths ; Strings ; Horns ; Percussion ; Vocals -- The business of recording. Opportunity knocks ; Practice, practice, practice ; Personal relationships ; Positioning ; It's not about the money, it's about the money ; Home recording facilities.
650 0. ‡aSound recordings ‡xProduction and direction ‡xVocational guidance.
650 0. ‡aPopular music ‡xProduction and direction.
650 0. ‡aSound recording industry ‡xVocational guidance.
994 . ‡aC0 ‡bBKC
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901 . ‡a171077 ‡b ‡c171077 ‡tbiblio

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