Faculty reserve

Material for LHIS-223 (Nordlund)

Includes bibliographical references and index.

Prologue : The long march of the Spanish cinema towards itself / José Luis Borau --!Bienvenido Mr Marshall! (Berlanga, 1952) / Wendy Rolph -- In search of a new Spanish realism : Bardem's Calle mayor (1956) / Stephen Roberts -- Saura's Los golfos (1959; released 1962) : heralding a new cinema for the 1960s / Maria Delgado -- Culture and acculturation in Manuel Summers's Del rosa ... al amarillo (1963) / Susan Martin-Márquez -- Fetishism and the problem of sexual difference in Buñuel's Tristana (1970) / Jo Labanyi -- Between metaphysics and scientism : rehistoricizing Víctor Erice's El espíritu de la colmena (1973) / Paul Julian Smith -- Furtivos (Borau, 1975) : my mother, my lover / Peter William Evans -- Sex change and cultural transformation in Aranda and Abril's Cambio de sexo (1977) / Marsha Kinder -- Feminism, politics, and psychosis in Fernán Gómez's Mi hija Hildegart (1977) / Dominic Keown -- El corazón del bosque (Gutiérrez Aragón, 1979) : mist, myth, and history / John Hopewell -- Female subjectivity in Gary Cooper que estás en los cielos (Miró, 1980) / Rikki Morgan -- Re-imaging the community : Imanol Uribe's La muerte de Mikel (1983) and the cinema of transition / Marvin D'Lugo -- Epílogo (Suárez, 1984) / Xon de Ros --?Qué he hecho yo para merecer esto? (Almodóvar, 1984) / Núria Triana-Toribio -- La vida alegre (Colomo, 1986) / Robin Fiddian -- Las cosas del querer (Chávarri, 1989) / Chris Perriam -- Motherland : space, femininity, and Spanishness in Jamón jamón (Bigas Luna, 1992) / Celestino Deleyto -- Promiscuity, pleasure, and girl power : Fernando Trueba's Belle époque (1992) / Barry Jordan -- Julio Medem's Vacas (1991) : historicizing the forest / Isabel C. Santaolalla -- The eroteticism of Nadie hablará de nosotras cuando hayamos muerto (Díaz Yanes, 1995) / Bernard P.E. Bentley.

Spanish Cinema offers lively readings by established writers on key films made by leading directors working in the art movie or auteurist tradition. Each chapter concentrates on a single film.

Also issued online.