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  • 1 of 1 copy available at Berklee College of Music.

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Location Call Number / Copy Notes Barcode Shelving Location Holdable? Status Due Date
Stan Getz Library K1450 .A96 2017 37684001099060 Getz Stacks Copy hold / Volume hold Available -

Record details

  • ISBN: 1535543671
  • ISBN: 9781535543675
  • Physical Description: 259 pages : chiefly illustrations ; 28 cm
    print
  • Publisher: [Durham, North Carolina] : Duke Center for the ... Read More

Content descriptions

General Note: Art, Illustration and Inking: Ian Akin & Brian Garvey ; Lettering, Coloring, Digital Publishing: Balfour Smith.
"Dedicated to Keith Aoki 1955-2011."
"A tale of law and music that leads through the gates of time!"
Bibliography, etc. Note: Includes bibliographical references (pages 254-259).
Summary, etc.: "This comic lays out 2000 years of musical history. A neglected part of musical history. Again and again there have been attempts to police music; to restrict borrowing and cultural cross-fertilization. But music builds on itself. To those who think that mash-ups and sampling started with YouTube or the DJ's turntables, it might be shocking to find that musicians have been borrowing--extensively borrowing--from each other since music began. Then why try to stop that process? The reasons varied. Philosophy, religion, politics, race--again again, race--and the law. An because music affects us so deeply, those struggles were passionate ones. They still are. The history in this book runs from Plato to Blurred Lines and beyond. You will read about the Holy Roman Empire's attempts to standardize religious music using the first great musical technology (notation) and the inevitable backfire of that attempt. You will read about the troubadours and church composers, swapping tunes (and remarkably profane lyrics), changing both religion and music in the process. You will see diatribes against jazz for corrupting musical culture, against rock and roll for breaching the color-line. You will learn about the lawsuits that, surprisingly, shaped rap. You will read the story of some music's iconoclasts--from Handel and Beethoven to Robert Johnson, Chuck Berry, Little Richard, Ray Charles, the British Invasion and Public Enemy. To understand this history fully, one has to roam wider still--into musical technologies from notation to the sample deck, aesthetics, the incentive systems that got musicians paid, and law's 250-year struggle to assimilate music, without destroying it in the process. This is that story. It is assuredly not the only history of music. But it is definitely a part--a fascinating part--of that history. We hope you like it."--Back cover.
Information Relating to Copyright Status:
This book is made available under the terms of a ... Read More
Source of Description Note:
Title from cover.
Subject: Copyright Music History Comic books, strips, etc
Quotation in music History Comic books, strips, etc
Plagiarism in music History Comic books, strips, etc
Genre: Graphic novels.

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