Free jazz, harmolodics, and Ornette Coleman / ... Read More
Available copies
- 1 of 1 copy available at Berklee College of Music.
Current holds
0 current holds with 1 total copy.
Show Only Available Copies
Location | Call Number / Copy Notes | Barcode | Shelving Location | Holdable? | Status | Due Date |
---|---|---|---|---|---|---|
Stan Getz Library | ML419.C646 R87 2017 | 37684001097469 | Getz Stacks | Copy hold / Volume hold | Available | - |
Record details
- ISBN: 9781138122925
- ISBN: 1138122920
- ISBN: 9781138122949
- ISBN: 1138122947
- Physical Description: xvi, 302 pages : illustrations, music ; 26 cm
- Publisher: New York, NY ; Routledge, 2017.
- Copyright: ©2017
Content descriptions
Bibliography, etc. Note: | Includes bibliographical references and index. |
Formatted Contents Note: | Historical context -- An introduction to ... Read More |
Summary, etc.: | "Free Jazz, Harmolodics, and Ornette Coleman ... Read More |
Search for related items by subject
Subject: | Coleman, Ornette > Criticism and interpretation. Jazz musicians > United States > Biography. Free jazz > Analysis, appreciation. Improvisation (Music) |
Includes bibliographical references and index. "Free Jazz, Harmolodics, and Ornette Coleman discusses Ornette Coleman's musical philosophy of "Harmolodics," an improvisational system deeply inspired by the Civil Rights Movement. Falling under the guise of "free jazz," Harmolodics can be difficult to understand, even for seasoned musicians and musicologists. Yet this book offers a clear and thorough approach to these complex methods, outlining Coleman's position as the developer of a logical--and historically significant--system of jazz improvisation. Included here are detailed musical analyses of improvisations, accompanied by full transcriptions. Intimate interviews between the author and Coleman explore the deeper issues at work in Harmolodics, issues of race, class, sex, and poverty. The principle of human equality quickly emerges as a central tenet of Coleman's life and music. Harmolodics is best understood when viewed in its essential form, both as a theory of improvisation and as an artistic expression of racial and human equality" -- From the publisher. |