Stagecraft : Stanislavsky and external acting ... Read More
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- 1 of 1 copy available at Berklee College of Music.
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Location | Call Number / Copy Notes | Barcode | Shelving Location | Holdable? | Status | Due Date |
---|---|---|---|---|---|---|
Stan Getz Library | PN2062.B58 S73 2011 | 37684001099558 | Getz Stacks | Copy hold / Volume hold | Available | - |
Record details
- ISBN: 9780879103842
- ISBN: 0879103841
- Physical Description: xvi, 384 pages ; 23 cm
- Publisher: Milwaukee, WI : Limelight Editions ©2011.
Content descriptions
General Note: | A companion to: Using the Stanislavsky system. |
Bibliography, etc. Note: | Includes bibliographical references (pages ... Read More |
Formatted Contents Note: | Preface: Stagecraft: Internal and External Acting ... Read More |
Summary, etc.: | How do you go about creating a character fully and ... Read More |
Search for related items by subject
Subject: | Stanislavsky, Konstantin, 1863-1938. Method acting. Acting. |
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245 | 1 | 0. | ‡aStagecraft : ‡bStanislavsky and external acting techniques / ‡cRobert Blumenfeld. |
260 | . | ‡aMilwaukee, WI : ‡bLimelight Editions ‡c©2011. | |
300 | . | ‡axvi, 384 pages ; ‡c23 cm | |
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500 | . | ‡aA companion to: Using the Stanislavsky system. | |
504 | . | ‡aIncludes bibliographical references (pages 359-366) and index. | |
505 | 0 | . | ‡aPreface: Stagecraft: Internal and External Acting Technique -- Acknowledgments -- Part 1. Stagecraft and Stage Technique -- Introduction: On Acting and Actor Training -- Chapter 1. Voice and Speech; Acting with an Accent -- Chapter 2. Reading the Script and Finding the Subtext; Technical Aspects of Language; Speaking Shakespearean Prose and Verse -- Chapter 3. Movement and Gesture; Posture; Positioning -- Chapter 4. Rehearsal and Performance Techniques -- Chapter 5. Performing Comedy -- Chapter 6. Acting in Musical Theater and Opera -- Chapter 7. Finishing Touches: Outward Appearances, Costume, and Makeup -- Part 2. Period Styles: The Theater as a Reflection of History, or Every Play in its Time -- Introduction: Stanislavsky's Approach to Period Styles -- Chapter 8. Ancient Greece and Rome -- Chapter 9. The Medieval Period -- Chapter 10. The Renaissance: Elizabethan England Willaim Shakespeare -- Chapter 11. The Seventeenth Century in France and England: Molière William Congreve -- Chapter 12. The Eighteenth Century: The French Revolution; the Napoleonic Era; the Dawn of the Romantic Age -- Chapter 13. The Later Nineteenth Century: Victorian England and Beyond -- Chapter 14. The Turn of the Twentieth Century; World War One; the Roaring Twenties and the Great Depression; World War Two -- Part 3. Some Post-Stanislavskian Approaches to Theater, Character Creation, and the Art of Acting -- Introduction: Dissent and Variations -- Chapter 15. The Russians: Vsevelod Meyerhold Yevgenyi Vakhtangov -- Chapter 16. The Russian Émigrés Maria Ouspenskaya Richard Boleslavsky Michael Chekhov -- Chapter 17. The Americans Stella Adler Lee Strasberg Sanford Meisner Morris Carnovsky Uta Hagen -- Chapter 18. The Influence of Berthold Brecht Joseph Chaikin Jerzy Grotowski -- Chapter 19. Some Notes on Contemporary Developments: Augusto Boal; Anne Bogart's Viewpoints and Tadashi Suzuki's Approach -- An Annotated Glossary of Acting Terms -- Selected Bibliography -- Index of People |
520 | . | ‡aHow do you go about creating a character fully and in compelling detail? How do you rehearse? Exactly what goes on during a performance? Everything you need to know as an actor about the process of bringing a play to life in today's theatre can be found in Stagecraft: Stanislavsky and External Acting Techniques. Included is complete information on the foundations of the actor's art: vocal technique, right down to grammar, punctuation, and stress patterns; movement technique, so you can create the character physically; and rehearsal and performance techniques. There is even a detailed section on applying makeup. As Stanislavsky stressed, without this kind of external work, the internal, psychological work detailed in the companion volume, Using the Stanislavsky System, cannot be "read" or understood by the audience. In Stagecraft, Blumenfeld also details the specific techniques of performing in comedy and meeting the unique demands of musical theater. The ideas of Stanislavsky's influential successors - Michael Chekhov, Yevgenyi Vakhtangov, Uta Hagen, Sanford Meisner, Stella Adler, Lee Strasberg, and many others - are included as well. This volume is a must for professional and novice actors, students and teachers alike! | |
600 | 1 | 0. | ‡aStanislavsky, Konstantin, ‡d1863-1938. |
650 | 0. | ‡aMethod acting. | |
650 | 0. | ‡aActing. | |
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