The Oxford handbook of critical improvisation ... Read More
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- 2 of 2 copies available at Berklee College of Music.
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| Location | Call Number / Copy Notes | Part | Barcode | Shelving Location | Holdable? | Status | Due Date |
|---|---|---|---|---|---|---|---|
| Stan Getz Library | MT68 .O94 2016 | v. 1 | 37684001103511 | Getz Stacks | Copy hold / Volume hold | Available | - |
| Stan Getz Library | MT68 .O94 2016 | v. 2 | 37684001103512 | Getz Stacks | Copy hold | Available | - |
Record details
- ISBN: 9780195370935
- ISBN: 0195370937
- ISBN: 9780199892921
- ISBN: 019989292X
- Physical Description: 2 volumes : illustrations ; 26 cm.
- Publisher: New York, N.Y. ; Oxford University Press, [2016]
- Copyright: ©2016
Content descriptions
| Bibliography, etc. Note: | Includes bibliographical references and index. |
| Formatted Contents Note: | V. 1. Introduction: On critical improvisation ... Read More V. 2. Introduction: On critical improvisation ... Read More |
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| Subject: | Improvisation (Music) Creation (Literary, artistic, etc.) |
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| 245 | 0 | 4. | ‡aThe Oxford handbook of critical improvisation studies / ‡cedited by George E. Lewis and Benjamin Piekut. |
| 264 | 1. | ‡aNew York, N.Y. ; ‡aOxford, U.K. : ‡bOxford University Press, ‡c[2016] | |
| 264 | 4. | ‡c©2016 | |
| 300 | . | ‡a2 volumes : ‡billustrations ; ‡c26 cm. | |
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| 490 | 1 | . | ‡aOxford handbooks |
| 504 | . | ‡aIncludes bibliographical references and index. | |
| 505 | 0 | 0. | ‡gV. 1. Introduction: ‡tOn critical improvisation studies / ‡rGeorge E. Lewis and Benjamin Piekut -- ‡gPart I. ‡tCognitions. ‡tCognitive processes in musical improvisation / ‡rRoger T. Dean and Freya Bailes -- ‡tThe cognitive neuroscience of improvisation / ‡rAaron L. Berkowitz -- ‡tImprovisation, action understanding, and music cognition with and without bodies / ‡rVijay Iyer -- ‡tThe ghost in the music, or the perspective of an improvising ant / ‡rDavid Borgo -- ‡gPart II ‡tCritical theories. ‡tThe improvisative / ‡rTracy McMullen -- ‡tJurisgenerative grammar (for alto) / ‡rFred Moten -- ‡tIs improvisation present? / ‡rMichael Gallope -- ‡tPolitics as hypergestural improvisation in the age of mediocracy / ‡rYves Citton -- ‡tOn the edge: a frame of analysis for improvisation / ‡rDavide Sparti -- ‡tThe Salmon of Wisdom: on the consciousness of self and other in improvised music and in the language that sets one free / ‡rAlexandre Pierrepont -- ‡tImprovising yoga / ‡rSusan Leigh Foster -- ‡gPart III. ‡tCultural histories. ‡tMichel de Montaigne, or philosophy as improvisation / ‡rTimothy Hampton -- ‡tThe improvisation of poetry, 1750-1850: oral performance, print culture, and the modern Homer / ‡rAngela Esterhammer -- ‡tGermaine de Staèel's Corinne, or Italy and the early usage of improvisation in English / ‡rErik Simpson -- ‡tImprovisation, time, and opportunity in the rhetorical tradition / ‡rGlyn P. Norton -- ‡tImprovisation, democracy, and feedback / ‡rDaniel Belgrad -- ‡gPart IV. ‡tMobilities. ‡tImprovised dance in the reconstruction of THEM / ‡rDanielle Goldman -- ‡tImprovising social exchange: African American social dance / ‡rThomas F. DeFrantz -- ‡tFixing improvisation: copyright and African American vernacular dancers in the early twentieth century / ‡rAnthea Kraut -- ‡tPerforming gender, race, and power in improv comedy / ‡rAmy Seham -- ‡tShifting cultivation as improvisation / ‡rPaul Richards -- ‡gPart V. ‡tOrganizations. ‡tImprovisation in management / ‡rPaul Ingram and William Duggan -- ‡tFree improvisation as a path-dependent process / ‡rJared Burrows and Clyde G. Reed -- ‡gPart VI. ‡tPhilosophies. ‡tMusical improvisation and the philosophy of music / ‡rPhilip Alperson -- ‡tImprovisation and time-consciousness / ‡rGary Peters -- ‡tImprovising Impromptu, or, What to do with a broken string / ‡rLydia Goehr -- ‡tEnsemble improvisation, collective intention, and group attention / ‡rGarry L. Hagberg -- ‡tInterspecies improvisation / ‡rDavid Rothenberg -- ‡tSpiritual exercises, improvisation, and moral perfectionism: with special reference to Sonny Rollins / ‡rArnold I. Davidson -- ‡tImprovisation and ecclesial ethics / ‡rSamuel Wells. |
| 505 | 0 | 0. | ‡gV. 2. ‡gIntroduction: ‡tOn critical improvisation studies / ‡rGeorge E. Lewis and Benjamin Piekut -- ‡gPart I. ‡tCities. ‡tImprovisation technology as mode of redesigning the urban / ‡rChristopher Dell and Ton Matton -- ‡tLots will vary in the available city / ‡rDavid P. Brown -- ‡tImprovising the future in post-Katrina New Orleans / ‡rEric Porter -- ‡gPart II. ‡tCreativities. ‡tBilly Connolly, Daniel Barenboim, Willie Wonka, jazz bastards, and the universality of improvisation / ‡rRaymond MacDonald and Graeme Wilson -- ‡tA computationally motivated approach to cognition studies in improvisation / ‡rBrian Magerko -- ‡tA consciousness-based look at spontaneous creativity / ‡rEd Sarath -- ‡tIn the beginning, there was improvisation / ‡rBruce Ellis Benson -- ‡gPart III. ‡tMusics. ‡tLandmarks in the study of improvisation: perspectives from ethnomusicology / ‡rBruno Nettl -- ‡tSaving improvisation: Hummel and the free fantasia in the early nineteenth century / ‡rDana Gooley -- ‡tNegotiating freedom and control in composition: improvisation and its offshoots, 1950-1980 ‡rSabine Feisst -- ‡tMusical improvisation: play, efficacy, and significance / ‡rA.J. Racy -- ‡tImprovisation in freestyle rap / ‡rEllie M. Hisama -- ‡tSpeaking of the I-word / ‡rLeo Treitler -- ‡gPart IV. $t Writings. ‡tModernist improvisations / ‡rRob Wallace -- ‡tDiversity and divergence in the improvisational evolution of literary genres / ‡rJennifer D. Ryan -- ‡tImprovisatory practices and the dawn of the new American cinema / ‡rSara Villa -- ‡tBrilliant corners: improvisation and practices of freedom in Sent for you yesterday / ‡rWalton Muyumba -- ‡tImprovisation in contemporary experimental poetry ‡rHazel Smith -- ‡gPart V. ‡tMedia. ‡tSubjective computing and improvisation / ‡rD. Fox Harrell -- ‡tImprovisation and interaction, canons and rules, emergence and play / ‡rSimon Penny -- ‡tImposture as improvisation: living fiction / ‡rAntoinette LaFarge -- ‡tRole-play, improvisation, and emergent authorship / ‡rCelia Pearce -- ‡tBodies, border, technology: the promise and perils of telematic improvisation / ‡rAdriene Jenik -- ‡tShe stuttered: mapping the spontaneous middle / ‡rSher Doruff -- ‡gPart VI. ‡tTechnologies. ‡tLive algorithms for music: can computers be improvisers? / ‡rMichael Young and Tom Blackwell -- ‡tImprovisation of the masses: anytime, anywhere mobile music / ‡rGe Wang. |
| 650 | 0. | ‡aImprovisation (Music) | |
| 650 | 0. | ‡aCreation (Literary, artistic, etc.) | |
| 700 | 1 | . | ‡aLewis, George, ‡d1952- ‡4edt |
| 700 | 1 | . | ‡aPiekut, Benjamin, ‡d1975- ‡4edt |
| 776 | 0 | 8. | ‡iOnline version: ‡tOxford handbook of critical improvisation studies. ‡dNew York : Oxford University Press, 2016 ‡z9780199707935 ‡w(DLC) 2015044217 |
| 830 | 0. | ‡aOxford handbooks. | |
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