Color harmony : compendium in music / by Masaya ... Read More
Available copies
- 1 of 1 copy available at Berklee College of Music.
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0 current holds with 1 total copy.
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Location | Call Number / Copy Notes | Barcode | Shelving Location | Holdable? | Status | Due Date |
---|---|---|---|---|---|---|
Stan Getz Library | MT50.Y36 C65 2013 | 37684001103704 | Getz Stacks | Copy hold / Volume hold | Available | - |
Record details
- ISBN: 0967635381
- ISBN: 9780967635385
- Physical Description: viii, 78 pages : illustrations, charts, music ; 29 ... Read More
- Edition: First editon.
- Publisher: New York : Masaya Music, 2013.
- Copyright: ©2013
Content descriptions
General Note: | Publication information from author bibliography. Includes preface, author biographical note, auther bibliography, and author discography at end. |
Formatted Contents Note: | Preface -- Definitions -- The subsets of limited ... Read More |
Language Note: | Staff notation. |
Local Note: | Gift from the library of David Liebman. |
Search for related items by subject
Subject: | Harmony. Composition (Music) Jazz. |
Genre: | Jazz. |
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245 | 1 | 0. | ‡aColor harmony : ‡bcompendium in music / ‡cby Masaya Yamaguchi. |
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264 | 1. | ‡aNew York : ‡bMasaya Music, ‡c2013. | |
264 | 4. | ‡c©2013 | |
300 | . | ‡aviii, 78 pages : ‡billustrations, charts, music ; ‡c29 cm | |
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546 | . | ‡bStaff notation. | |
500 | . | ‡aPublication information from author bibliography. | |
500 | . | ‡aIncludes preface, author biographical note, auther bibliography, and author discography at end. | |
590 | . | ‡aGift from the library of David Liebman. | |
505 | 0 | . | ‡aPreface -- Definitions -- The subsets of limited transposition -- Systematized subsets of limited transposition families -- Understanding vector lines on Muija -- Open voicing system -- Principles of color harmony : musical chromatics -- The mindset of color harmony : tones, shapes, and colors -- Harmonic concept of color harmony : "Nefertiti" & "elegant joy" -- Further probe into color harmony : Muija for harmonic variations -- Vector gradation techniques : vector-leading chord connection -- Conversion techniques for complex voicing : diatonic discrepancy in hyperlink code conversion -- Reharmonization with vector gradation techniques -- Freedom of color harmony -- Postscript -- Appendix I : geometric gallery of scales for jazz improvisation -- Appendix II : "100 voicings" analyzed -- Appendix III : Muija study sheet. |
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