Interaction of color / Josef Albers.
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Available copies
- 2 of 2 copies available at Berklee College of Music.
Current holds
0 current holds with 2 total copies.
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| Location | Call Number / Copy Notes | Barcode | Shelving Location | Holdable? | Status | Due Date |
|---|---|---|---|---|---|---|
| Stan Getz Library | ND1489 .A4 2013 | 37684001100127 | Getz Stacks | Copy hold / Volume hold | Available | - |
| Valencia Main Library | ND1489 .A4 2013 | 37684001091728 | Valencia Stacks | Copy hold / Volume hold | Available | - |
Record details
- ISBN: 9780300179354
- ISBN: 0300179359
- Physical Description: xi, 193 pages : illustrations (chiefly color) ; 24 ... Read More
- Edition: 50th anniversary edition ; 4th edition.
- Publisher: New Haven [Connecticut] : Yale University Press, [2013]
- Copyright: ©2013
Content descriptions
| General Note: | Original edition: 1963. |
| Formatted Contents Note: | Color recollection : visual memory -- Color ... Read More |
| Summary, etc.: | Josef Albers's Interaction of Color is a ... Read More |
Search for related items by subject
| Subject: | Color. Color vision. Color > Study and teaching. |
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Original edition: 1963. Josef Albers's Interaction of Color is a masterwork in art education. Conceived as a handbook and teaching aid for artists, instructors, and students, this influential book presents Albers's singular explanation of complex color theory principles. Originally published by Yale University Press in 1963 as a limited silkscreen edition with 150 color plates, Interaction of Color first appeared in paperback in 1971, featuring ten color studies chosen by Albers, and has remained in print ever since. With over a quarter of a million copies sold in its various editions since 1963, Interaction of Color remains an essential resource on color, as pioneering today as when Albers first created it. Fifty years after Interaction's initial publication, this new edition presents a significantly expanded selection of close to sixty color studies alongside Albers's original text, demonstrating such principles as color relativity, intensity, and temperature; vibrating and vanishing boundaries; and the illusion of transparency and reversed grounds. A celebration of the longevity and unique authority of Albers's contribution, this landmark edition will find new audiences in studios and classrooms around the world. |