Performance practice in the music of Steve Reich / ... Read More
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- 1 of 1 copy available at Berklee College of Music.
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| Location | Call Number / Copy Notes | Barcode | Shelving Location | Holdable? | Status | Due Date |
|---|---|---|---|---|---|---|
| Stan Getz Library | ML410.R45 H37 2018 | 37684001103804 | Getz Stacks | Copy hold / Volume hold | Available | - |
Record details
- ISBN: 1316606082
- ISBN: 9781316606087
- Physical Description: xxxi, 260 pages : illustrations, music ; 26 cm.
- Publisher: Cambridge, United Kingdom : Cambridge University Press, 2018.
- Copyright: ©2018
Content descriptions
| Bibliography, etc. Note: | Includes bibliographical references (pages ... Read More |
| Formatted Contents Note: | Machine generated contents note: 1. Drumming, ... Read More |
| Summary, etc.: | Reich provides a performer's perspective from his ... Read More |
Search for related items by subject
| Subject: | Reich, Steve, 1936- > Criticism and interpretation. Performance practice (Music) > History > 20th century. |
Search for related items by series
| LDR | 02550cam a2200349Ia 4500 | ||
|---|---|---|---|
| 001 | 174403 | ||
| 003 | BERKLEE | ||
| 005 | 20181030025916.0 | ||
| 008 | 171206s2018 enkag b 001 0 eng d | ||
| 040 | . | ‡aYDX ‡beng ‡cYDX ‡dSFU ‡dOCLCO | |
| 020 | . | ‡a1316606082 | |
| 020 | . | ‡a9781316606087 | |
| 035 | . | ‡a(OCoLC)1013965974 | |
| 050 | 0 | 0. | ‡aML410.R27 ‡bH37 2018 |
| 090 | . | ‡aML410.R45 ‡bH37 2018 | |
| 049 | . | ‡aBKCA | |
| 100 | 1 | . | ‡aHartenberger, Russell. ‡4aut |
| 245 | 1 | 0. | ‡aPerformance practice in the music of Steve Reich / ‡cRussell Hartenberger. |
| 264 | 1. | ‡aCambridge, United Kingdom : ‡bCambridge University Press, ‡c2018. | |
| 264 | 4. | ‡c©2018 | |
| 300 | . | ‡axxxi, 260 pages : ‡billustrations, music ; ‡c26 cm. | |
| 336 | . | ‡atext ‡2rdacontent | |
| 337 | . | ‡aunmediated ‡2rdamedia | |
| 338 | . | ‡avolume ‡2rdacarrier | |
| 490 | 1 | . | ‡aMusic since 1900 |
| 504 | . | ‡aIncludes bibliographical references (pages 241-253) and index. | |
| 520 | . | ‡aReich provides a performer's perspective from his iconic minimalist work, Drumming, to his masterpiece, Music for 18 Musicians. It addresses performance issues encountered by the musicians in Reich's original ensemble and the techniques they developed to bring his compositions to life. Drawing comparisons with West African drumming and other non-Western music, the book highlights ideas that are helpful in the understanding and performance of rhythm in all pulse-based music. Through conversations and interviews with the author, Reich discusses his percussion background and his thoughts about rhythm in relation to the music of Ghana, Bali, India, and jazz. He explains how he used rhythm in his early compositions, the time feel he wants in his music, the kind of performer who seems to be drawn to his music, and the way perceptual and metrical ambiguity create interest in repetitive music. | |
| 505 | 0 | 0. | ‡gMachine generated contents note: ‡g1. ‡tDrumming, early days -- ‡g2. ‡tPercussion and Drumming -- ‡g3. ‡tThe process of composing Drumming -- ‡g4. ‡tDrumming, Part I -- ‡g5. ‡tDrumming, Part II -- ‡g6. ‡tDrumming, Part III -- ‡g7. ‡tDrumming, Part IV -- ‡g8. ‡tAcoustics of Drumming -- ‡g9. ‡tAnatomy of a phase -- ‡g10. ‡tPerformance practice in Drumming -- ‡g11. ‡tClapping Music -- ‡g12. ‡tMusic for Pieces of Wood -- ‡g13. ‡tSix Pianos -- ‡g14. ‡tMusic for Mallet Instruments, Voices, and Organ -- ‡g15. ‡tMusic for 18 Musicians -- ‡g16. ‡tInside rhythm. |
| 600 | 1 | 0. | ‡aReich, Steve, ‡d1936- ‡xCriticism and interpretation. |
| 650 | 0. | ‡aPerformance practice (Music) ‡xHistory ‡y20th century. | |
| 830 | 0. | ‡aMusic since 1900. | |
| 994 | . | ‡aC0 ‡bBKC | |
| 905 | . | ‡ukheider | |
| 901 | . | ‡a174403 ‡b ‡c174403 ‡tbiblio ‡soclc | |