Blues legacies and Black feminism : Gertrude "Ma" ... Read More
Available copies
- 0 of 1 copy available at Berklee College of Music.
Current holds
0 current holds with 1 total copy.
View other formats and editions
Show Only Available Copies
Location | Call Number / Copy Notes | Barcode | Shelving Location | Holdable? | Status | Due Date |
---|---|---|---|---|---|---|
Stan Getz Library | ML3521 .D38 V5 1998 | 37684001100546 | Getz Stacks | Copy hold / Volume hold | Checked out | 05/08/2024 |
Record details
- ISBN: 0679771263
- ISBN: 9780679771265
- Physical Description: xx, 427 pages, [12] pages of plates : ... Read More
- Edition: 1st Vintage books edition
- Publisher: New York : Vintage, 1999
- Copyright: ©1998
Content descriptions
Bibliography, etc. Note: | Includes bibliographical references and index. |
Formatted Contents Note: | I used to be your sweet mama : ideology, ... Read More |
Summary, etc.: | "Jazz, it is widely accepted, is the signal ... Read More |
Search for related items by subject
Summary:
"Jazz, it is widely accepted, is the signal original American contribution to world culture. Angela Davis shows us how the roots of that form in the blues must be viewed not only as a musical tradition but as a life-sustaining vehicle for an alternative black working-class collective memory and social consciousness profoundly at odds with mainstream American middle-class values. And she explains how the tradition of black women blues singers - represented by Gertrude "Ma" Rainey, Bessie Smith, and Billie Holiday - embodies not only an artistic triumph and aesthetic dominance over a hostile popular music industry but an unacknowledged proto-feminist consciousness within working-class black communities. Through a close and riveting analysis of these artists' performances, words, and lives, Davis uncovers the unmistakable assertion and uncompromising celebration of non-middle-class, non-heterosexual social, moral, and sexual values."--Jacket.