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The producer as composer : shaping the sounds of popular music / Virgil Moorefield.

Available copies

  • 1 of 1 copy available at Berklee College of Music.

Current holds

0 current holds with 1 total copy.

Location Call Number / Copy Notes Barcode Shelving Location Holdable? Status Due Date
Stan Getz Library ML3470 .M66 2005 37684000857415 Library Stacks Copy hold / Volume hold Available -

Record details

  • ISBN: 0262134578 (hc : alk. paper)
  • Physical Description: xix, 143 p. ; 24 cm.
  • Publisher: Cambridge, Mass. : MIT Press, c2005.

Content descriptions

Bibliography, etc. Note:
Includes discography (p. [119]-123) and bibliographical references (p. [125]-129) and index.
Formatted Contents Note:
From mirror to beacon -- The studio as musical instrument -- The producer takes center stage.
Subject: Popular music > Production and direction > History.
Popular music > Analysis, appreciation.
Sound recordings > Production and direction > History.
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1001 . ‡aMoorefield, Virgil, ‡d1956- ‡0(berklee)333979
24514. ‡aThe producer as composer : ‡bshaping the sounds of popular music / ‡cVirgil Moorefield.
260 . ‡aCambridge, Mass. : ‡bMIT Press, ‡cc2005.
300 . ‡axix, 143 p. ; ‡c24 cm.
504 . ‡aIncludes discography (p. [119]-123) and bibliographical references (p. [125]-129) and index.
5050 . ‡aFrom mirror to beacon -- The studio as musical instrument -- The producer takes center stage.
650 0. ‡aPopular music ‡xProduction and direction ‡xHistory. ‡0(berklee)333980
650 0. ‡aPopular music ‡xAnalysis, appreciation. ‡0(berklee)275226
650 0. ‡aSound recordings ‡xProduction and direction ‡xHistory. ‡0(berklee)181686
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