To the break of dawn : a freestyle on the hip hop ... Read More
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Electronic resources
- http://www.loc.gov/catdir/toc/ecip071/2006029844.html - Table of contents only
- http://www.loc.gov/catdir/enhancements/fy0730/2006029844-d.html - Publisher description
- http://www.loc.gov/catdir/enhancements/fy0734/2006029844-b.html - Contributor biographical information
Available copies
- 1 of 1 copy available at Berklee College of Music.
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0 current holds with 1 total copy.
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| Location | Call Number / Copy Notes | Barcode | Shelving Location | Holdable? | Status | Due Date |
|---|---|---|---|---|---|---|
| Stan Getz Library | ML3918 .R37 C63 2007 | 37684001050841 | Getz Stacks | Copy hold / Volume hold | Available | - |
Record details
- ISBN: 9780814716700 (cloth : alk. paper)
- ISBN: 0814716709 (cloth : alk. paper)
- Physical Description: vii, 200 p. ; 24 cm.
- Publisher: New York : New York University Press, c2007.
Content descriptions
| Bibliography, etc. Note: | Includes bibliographical references (p. 175-182) ... Read More |
| Formatted Contents Note: | The roots -- The score -- Word of mouth -- Asphalt ... Read More |
| Summary, etc.: | With roots that stretch from West Africa through ... Read More |
Search for related items by subject
| Subject: | Hip-hop > History and criticism. |
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| 100 | 1 | . | ‡aCobb, William Jelani ‡0(berklee)389110 |
| 245 | 1 | 0. | ‡aTo the break of dawn : ‡ba freestyle on the hip hop aesthetic / ‡cWilliam Jelani Cobb. |
| 260 | . | ‡aNew York : ‡bNew York University Press, ‡cc2007. | |
| 300 | . | ‡avii, 200 p. ; ‡c24 cm. | |
| 504 | . | ‡aIncludes bibliographical references (p. 175-182) and index. | |
| 505 | 0 | . | ‡aThe roots -- The score -- Word of mouth -- Asphalt chronicles : hip hop and the storytelling tradition -- Seven MCs. |
| 520 | . | ‡aWith roots that stretch from West Africa through the black pulpit, hip-hop emerged in the streets of the South Bronx in the 1970s and has spread to the farthest corners of the earth. This book examines this freestyle verbal artistry on its own terms. Music critic Cobb, who spent his youth at the epicenter of the new art form, takes readers inside the beats, the lyrics, and the flow of hip-hop, separating mere corporate rappers from the creative MCs that forged the art in the crucible of the street jam. Unlike books that focus on hip-hop as a social movement or a commercial phenomenon, this book tracks the music's aesthetic, stylistic, and thematic evolution from its inception to today's distinctly regional sub-divisions and styles. Written with an insider's ear, it illuminates hip-hop's innovations in a freestyle form that speaks to both aficionados and newcomers to the art.--From publisher description. | |
| 650 | 0. | ‡aHip-hop ‡xHistory and criticism. ‡0(berklee)389111 | |
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| 856 | 4 | 2. | ‡3Contributor biographical information ‡uhttp://www.loc.gov/catdir/enhancements/fy0734/2006029844-b.html |
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