Appropriating blackness : performance and the politics of authenticity / E. Patrick Johnson.
- http://www.loc.gov/catdir/toc/ecip041/2003005956.html - Table of contents
- http://site.ebrary.com/lib/dukelibraries/Doc?id=10207687 - Electronic access restricted; authentication may be required
- 1 of 1 copy available at Berklee College of Music.
0 current holds with 1 total copy.
|Location||Call Number / Copy Notes||Barcode||Shelving Location||Holdable?||Status||Due Date|
|Main Library||E185.625 J64 2003||37684001051530||Library Stacks||Copy hold / Volume hold||Available||-|
- ISBN: 0822331918 (pbk. : alk. paper)
- ISBN: 9780822331919 (pbk. : alk. paper)
- Physical Description: xiii, 365 p. : ill. ; 24 cm.
- Publisher: Durham [N.C.] : Duke University Press, 2004, c2003.
|Bibliography, etc. Note:||
Includes bibliographical references (p. -359) and index.
|Formatted Contents Note:||
"Blackness" and authenticity : what's performance got to do with it? -- The pot is brewing : Marlon Riggs' black is ... black ain't -- Manifest faggotry : queering masculinity in African American culture -- Mother knows best : blackness and transgressive domestic space -- "Nevah had uh cross word" : mammy and the trope of black womanhood -- Sounds of blackness down under : the Café of the Gate of Salvation -- Performance and/as pedagogy : performing blackness in the classroom.
|Additional Physical Form available Note:||
Also issued online.