Appropriating blackness : performance and the politics of authenticity / E. Patrick Johnson.
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Electronic resources
- http://www.loc.gov/catdir/toc/ecip041/2003005956.html - Table of contents
- http://site.ebrary.com/lib/dukelibraries/Doc?id=10207687 - Electronic access restricted; authentication may be required
Available copies
- 1 of 1 copy available at Berklee College of Music.
Current holds
0 current holds with 1 total copy.
| Location | Call Number / Copy Notes | Barcode | Shelving Location | Holdable? | Status | Due Date |
|---|---|---|---|---|---|---|
| Main Library | E185.625 J64 2003 | 37684001051530 | Library Stacks | Copy hold / Volume hold | Available | - |
Record details
- ISBN: 0822331918 (pbk. : alk. paper)
- ISBN: 9780822331919 (pbk. : alk. paper)
- Physical Description: xiii, 365 p. : ill. ; 24 cm.
- Publisher: Durham [N.C.] : Duke University Press, 2004, c2003.
Content descriptions
| Bibliography, etc. Note: | Includes bibliographical references (p. [345]-359) and index. |
| Formatted Contents Note: | "Blackness" and authenticity : what's performance got to do with it? -- The pot is brewing : Marlon Riggs' black is ... black ain't -- Manifest faggotry : queering masculinity in African American culture -- Mother knows best : blackness and transgressive domestic space -- "Nevah had uh cross word" : mammy and the trope of black womanhood -- Sounds of blackness down under : the Café of the Gate of Salvation -- Performance and/as pedagogy : performing blackness in the classroom. |
| Additional Physical Form available Note: | Also issued online. |