Behind the curtain : making music in Mumbai's film ... Read More
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- 2 of 2 copies available at Berklee College of Music.
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0 current holds with 2 total copies.
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| Location | Call Number / Copy Notes | Barcode | Shelving Location | Holdable? | Status | Due Date |
|---|---|---|---|---|---|---|
| Stan Getz Library | ML2075 .B66 2008 | 37684001053811 | Getz Stacks | Copy hold / Volume hold | Available | - |
| Valencia Main Library | ML2075 .B66 2008 | 37684001070828 | Valencia Stacks | Copy hold / Volume hold | Available | - |
Record details
- ISBN: 9780195327632 (acid-free paper)
- ISBN: 0195327632 (acid-free paper)
- ISBN: 9780195327649 (pbk. : acid-free paper)
- ISBN: 0195327640 (pbk. : acid-free paper)
- Physical Description: viii, 321 p. : ill. ; 24 cm.
- Publisher: New York : Oxford University Press, 2008.
Content descriptions
| Bibliography, etc. Note: | Includes bibliographical references (p. 295-303) ... Read More |
| Formatted Contents Note: | History, technology, and a determinist milieu for ... Read More |
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| Subject: | Motion picture music > Production and direction > India > Bombay > History. Motion picture music > India > Bombay > History and criticism. Motion picture industry > India > Bombay > History. |
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| 245 | 1 | 0. | ‡aBehind the curtain : ‡bmaking music in Mumbai's film studios / ‡cGregory D. Booth. |
| 260 | . | ‡aNew York : ‡bOxford University Press, ‡c2008. | |
| 300 | . | ‡aviii, 321 p. : ‡bill. ; ‡c24 cm. | |
| 504 | . | ‡aIncludes bibliographical references (p. 295-303) and index. | |
| 505 | 0 | . | ‡aHistory, technology, and a determinist milieu for Hindi film song. Popular music as film music ; Musicians and technology in the Mumbai film music industry ; Changing structures in the Mumbai film industry -- The life of music in the Mumbai film industry. Origins, training, and "joining the line" ; Roles, relations, and the creative process ; Rehearsals, recordings, and economics -- Music, instruments, and meaning from musicians' perspectives. Orchestras and orchestral procedures, instrumental change, arranging, and programming ; Issues of style, genre, and value in Mumbai film music -- Conclusion : oral history, change, and accounts of human agency. |
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