The music producer's handbook / Bobby Owsinski.
- 2 of 3 copies available at Berklee College of Music.
0 current holds with 3 total copies.
|Location||Call Number / Copy Notes||Barcode||Shelving Location||Holdable?||Status||Due Date|
|Stan Getz Library||ML3790 .O97 2016||37684001103518||Music Tech Stacks||Copy hold / Volume hold||Available||-|
|Stan Getz Library||ML3790 .O97 2016||37684001103543||Music Tech Stacks||Copy hold||Available||-|
|Valencia Main Library||ML3790 .O97 2016||37684001091707||Valencia Stacks||Copy hold / Volume hold||Checked out||11/27/2019|
- ISBN: 9781495045226
- ISBN: 1495045226
- Physical Description: xxi, 281 pages : illustrations ; 28 cm.
- Edition: Second edition.
- Publisher: Milwaukee, WI : Hal Leonard Books, and imprint of Hal Leonard Corporation, 2016.
- Copyright: ©2016
|Bibliography, etc. Note:||
Includes bibliographical references and index.
|Formatted Contents Note:||
Music production: The history of music production -- What is a music producer? -- The duties of a music producer -- The business of music production -- Assembling the budget -- It's all in the song -- Music mechanics -- Preproduction: the most important step -- Preparing for the session -- Basic tracks: where the magic is made -- Overdubs -- Working with your team -- Self-production -- Mixing: where it's make it or break it -- Mastering: the finishing touch -- EDM, pop, and hip-hop production -- Production checklist. Interviews.
The Music Producer's Handbook, Second Edition reveals the secrets to becoming a music producer and producing just about any kind of project in any genre of music. Among the topics covered are the producer's multiple responsibilities and all the elements involved in a typical production, including budgeting, contracts, selecting the studio and engineer, hiring session musicians, and even getting paid. Unlike other books on production, The Music Producer's Handbook also covers the true mechanics of production, from analyzing, troubleshooting, and fixing a song that isn't working to getting the best performance and sound out of a band or vocalist. In addition, Bobby Owsinski tackles what may be the toughest part of being a producer-being a diplomat, a confidant, and an amateur psychologist all at once. This edition also includes new chapters on self-production, small studio production, and how the new songwriter-producer and engineer-producer hybrids make money in our new digital music world. It also features several new interviews with some of the best-selling producers from different musical genres, who offer advice on getting started, getting paid, and making hits. Packed with inside information and including exclusive online media, The Music Producer's Handbook, Second Edition provides invaluable tools and advice that will help beginners and seasoned professionals alike.
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|Subject:||Sound recordings > Production and direction.
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